Would it be reasonable for an assassin to be able to raise a family? I’m currently writing an assassin in a world of superheroes who tends to specialize in taking down superhumans. Do you think he’d be able to balance a home life and his “night life” or is that nota possibility ?
I don’t see why not.
Okay, that’s not true, but I don’t see anything that makes this intrinsically impossible. Being an assassin doesn’t preclude the possibility of being a good parent. It’s just extremely unlikely.
Strip everything else down, and being a good parent means being there for your kids, and putting their well-being first. It’s not impossible for an assassin to do that, but that is one of those inflexible jobs, where sometimes, they really can’t be there, because of work. Not being there stacks the deck against being a good parent. It’s still possible, but the odds are vanishingly small.
There’s a lot of degrees here, and intent can outweigh the results sometimes. A parent who’s there but resentful, and passive aggressive isn’t better than one who would be there if they could, but really doesn’t have the option. For a good parent, even under the best of circumstances, there’s a balancing act between what you can do, and what you want to be able to do. Unfortunately, if you’ve got a high pressure job, that requires you keep a strict schedule, especially with lots of travel, that weighs heavily against your character’s kids.
There’s no, simple, yes or no, here. Plenty of parents in the real world fall short of the mark with less on their plate than your character, and some manage to excel in spite of far more trying circumstances. So, this comes down to a couple questions.
Do you think your character is a good parent? This can go either way, and this isn’t a simple pass/fail. If your character is a good parent, then there’s no shame in admitting that they’re not going to get the balance right every time.
Your character can tick the technical boxes of keeping their child breathing and still be walking human wreckage. They’re not a good parent, but again, intent can carry a lot of weight here. We are talking about a deeply personal relationship between (at least) two characters, and those rarely break down into simple black and white.
Remember, your character doesn’t evaluate how well they do as a parent, their children do. If he’s simply not there, because he’s hollowing out some arms dealer’s skull in La Paz, that’s not going to justify missing birthdays or other milestones. Also, it’s extremely unlikely your character would tell his kids that he was out there killing people. That’s the kind of information you really can’t trust to children, at least not when they’re young, so he didn’t miss a birthday because of that; as far as they know he was selling database software in Cochabamba.
Also worth noting, this applies to cops, soldiers, and spies. There’s some social structures to help with the former two, but, you’re still talking about parents who have a job that requires their primary attention. It may make for dramatic characters, but it creates shitty parents, and messy divorces.
Over time, it’s worth remembering that mistakes and poor choices do have consequences.
Do you know what a good parent looks like? This one is a much harder question than it looks like. A lot of people think they had a pretty clear understanding of what a good parent looks like. This isn’t always, 100% accurate. Also, when the answer is no, it’s not always consistent what will tip you off. Personally, it was this article on Cracked, six years ago.
So, do you know what a good parent looks like?
I have seen writers, who never stopped to ask that question, put forward some pretty messed up images of their parents. This isn’t intended as a critique of yours, but, at some point you do need to step back and really think about this going forward.
For example: having a parent who will immediately employ violence against unknown children their house is not normal. Yes, I’ve seen a writer hold that up as normal parental behavior. No, I don’t want to know what gave them that impression.
As with any high stress job, being an assassin is going to make being a parent harder. It makes it more difficult to be there physically, it makes being emotionally available more difficult, it means you’re always going to be under some threat, meaning you can’t ever really relax. Kids pick up on that. Not consciously, but in more of a, “that’s normal,” kind of way. Over time, this can lead to some serious psychological issues. It’s not completely inescapable, but no matter how hard your assassin tries, he’s never going to be able to give his kids a “normal” upbringing. That doesn’t mean he can’t be a good father, but he’ll have to work a lot harder to get there, and it may be impossible for him to do his job and take care of his kids.
Remember his kids are people, not pets. They cannot simply exist to indicate, “no, really, my character’s a good person.” That kind of behavior actually makes your assassin less redeemable. There are people, real people, who do use their kids as pets. They parade them around, and (figuratively) use them to say, “look how normal, and successful I am.” Those people are human garbage. Trust me, I know. Remember, the kids know. They may not realize how messed up the situation is until later in life, but they’re there. They know.
And, the other part is superheroes; that changes a lot of things.
The entire idea of hunting down some world class assassin and kicking down the door of his apartment, before handing him over to the local police is mostly a dream in the real world. In a world where you have superheroes, the risk of identifying and tracking him down becomes a much more serious risk.
Once someone knows who he is, his kids are in permanent danger. If your character is out there hunting down superheroes or supervillains, it’s very likely that someone will seek bloody retribution for his kills, or use the kids as leverage. That’s another horrific option.
At this point, you’re going to want to answer some world building questions, and decide what you want to look at afterwards.
Who your character works for is very important. An assassin for hire, that works with the League of Evil as a contractor is going to have a very different life from someone who works for a Federal Agency hunting down rogue superheroes. Either one can be as stable or unhinged as your story calls for (though, the latter would need to hide their derangement).
So far as it goes, there are plenty of examples of superheroes and villains with their children. Hell, two of the three Batgirls are the daughters of super villains. Cassandra Cain is the daughter of a professional assassin who seriously abused her, and is a mute killing machine, while Stephanie Brown is the daughter of a D-Grade super villain, who’s spurred to heroism in spite of (or to spite) her father’s legacy (and idiocy).
There’s a lot of room for the children of villains growing up to be their own people either in spite of, or in the model of their parents.
This may sound harsh, but if you don’t plan for your character’s children to grow up into their own characters, I’d strongly recommend using them. If you don’t have a plan, you’re running a serious risk of using them as pets, which, as I said, is something you do not want to do. (Even if your character does exactly that.) These need to be characters in their own right.
When it comes to injecting some serious weight into the modern superhero genre, my first stop would be Powers. It’s about cops, not assassins, but it does a fantastic job of taking superheroes out of context, and putting it against the mundane texture of a criminal investigation.
If you’re willing to spend 100 hours working through the narrative, The Witcher 3, does an excellent job of putting you in the shoes of a man searching for his adopted daughter. On the whole, I usually recommend Sapkowski’s novels over the games, but this is the rare case where I can say a game is doing exactly what you’re asking for (even if it is a fantasy setting), but I’m not really going into full detail here.
Another slightly odd suggestion is Millennium. Set in the late 90s, this series was a rare example of Magical Realism as a genre. The main character is a retired member of the FBI’s Behavior Science Unit, trying to protect his family from the apocalypse. As with The Witcher 3, this is probably more apropos than it sounds initially.
If you want to look at a shitty parent having their child leveraged against them, the first season of 24 is pretty good. If you’re left wondering, Jack Bauer is not a good parent. The first season has some rough patches, but it does kinda illustrate the problem with this setup.
I’d still recommend taking a look at Collateral. Tom Cruise’s Vincent isn’t hunting down superheroes, but it’s not hard to see where his methodology could have real application. Also, if you have seen it before, listen to the what he says about his father. It’s not much of a stretch to say this may be the future your character’s kids would find themselves in. Especially if he tried to bring them into “the family business,” or even if he just tried to teach them how to protect themselves.
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