tempted to be glib, and simply say that your character’s limbs and body are
weapons, but let’s start by turning this one around.
snapping someone’s neck, the way you see in films, doesn’t work. You can annoy
someone, and rack up an attempted murder charge, but it doesn’t actually work.
That said, the list of things that can, in fact, kill someone is not short,
ranging from blood chokes (where the attacker holds their opponent in a
headlock which obstructs the carotid artery) to crushing the trachea, rupturing
the kidney (though this one will take awhile), or any number of other attacks
that will interrupt the victim’s ability to continue getting oxygen to their
back to that comment about your body being a weapon. It’s a concept that’s
pretty easy to dismiss as pseudo-mysticism; doing that is a mistake. The
important thing to take away from that phrase is the mindset. With enough
creativity and dedication, just about anything
can be a weapon. A character who’s willing to walk into a fight, grab their
opponent by the skull and ram them face first onto a chunk of rebar is using
weapons. They’re using their body and environment.
also where the idea of a character using a weapon being limited comes from.
Again, it’s an idea that’s easy to dismiss as abstract philosophy, but it does
reflect a kind of thinking that people, including writers, can trap themselves
with. “I have a sword, therefore, I can…” as opposed to, “I have all these
options to turn my enemies into meat pudding.”
realize this isn’t, exactly, the catalogue of kill strikes you were hoping for.
If you’re looking for more discussion on brutality and it’s psychological
impact on combat, I would suggest you take a look at our The Only Unfair Fight