Not sure how to properly ask this but how do I write a fight scene between two characters who are both trained but might have different skill sets, while anyone still might get out alive that it could factor in?
Two things come to mind. First, it’s unlikely that you’re writing from both character’s perspectives simultaneously. Second, not every fight is going to be to the death.
When you’re writing a scene, it’s important to have clear goals for the participants. Violence is a way your characters attempt to exert their will on the world around them, it doesn’t simply occur for its own sake. (This isn’t a moral judgement; just that if your violence lacks motivation, it will come across as hollow. There are ways to leverage this, but, that’s a more complicated topic.) If you have two characters who want each other dead, then chances are someone’s not walking away. However, if you have characters with different goals, then any combat that occurs will be at cross purposes.
You don’t necessarily need to explain those goals to your audience. In fact, by default, your characters are unlikely to know their foe’s goals. That’s the biggest consideration in the other part of this question.
Your characters aren’t part of a psychic gestalt. They don’t automatically know what the other people around them are thinking, feeling, or planning. Even with an omniscient narrator, your characters won’t know their foes thoughts and plans, though the audience may be. With a limited narrator, you’re going to be writing the scene from the perspective of one of your characters, and, again, they won’t know what their foe is planning.
When both of your characters have the same background, it can provide an edge against one another. They’ve had the same training, and they’ll have learned the same strategies, tactics, and techniques. This means they have some ability to predict the other’s actions. They’ll be in a better position to predict their foe’s goals, and how what they’ll do to realize them.
If your characters have different backgrounds and skillsets, they won’t have that advantage; that’s the difference. They’ll have to guess at their foe’s methods, based on the information they have. They’re less likely to know what their foe wants, and they won’t know how their foe will go about achieving their goals.
So, how do you write two characters with different backgrounds in conflict? By remembering that they’re different people, and don’t know what the other person was trained to do.
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